Kodak · In production
Kodak Vision3 250D 5207
Hollywood's daylight-balanced cine stock, respooled for stills.
| ISO / Speed | 250 |
| Type | Color Negative |
| Process | C-41 |
| Formats | 35mm |
| Grain | Ultra-fine |
| Exposure latitude | Wide |
| Color cast | Neutral,moderate saturation, low contrast |
| Brand | Kodak |
Generated color character — not a sample photograph
Kodak Vision3 250D (5207) is a professional daylight-balanced motion-picture colour negative respooled into 35mm cassettes by third parties. It offers cinematic low contrast, ultra-fine grain and enormous latitude, though it carries a remjet backing that requires ECN-2 or special C-41 handling.
Character & look
Vision3 250D delivers a refined, filmic look with very fine grain, gentle contrast and beautifully controlled highlights that hold detail far into overexposure. As a daylight-balanced stock its colour is close to neutral, rendering skin tones naturally with a soft, muted palette rather than punchy saturation. The film's signature is its exposure latitude, retaining shadow information and taming bright skies for a smooth tonal roll-off. It is coated with a remjet anti-halation layer that must be removed, so it is designed for ECN-2 processing; labs running it through standard C-41 without remjet removal risk contamination. Respooled by various vendors, it is a favourite for shooters chasing a genuine cinema aesthetic in still frames.
Best for
Cinematic looksPortraitsLandscapesHigh contrast scenes
Shooting & development tips
Shoot it in daylight at box speed or slightly overexposed for creamy highlights. Use a lab that removes the remjet and ideally processes in ECN-2; standard minilabs may refuse it or contaminate their chemistry.
FAQ
Can I develop Vision3 250D in normal C-41?
Only in a lab equipped to remove the remjet backing first; native processing is ECN-2. Running it through unmodified C-41 can contaminate chemistry.